Sunday, 31 January 2016

Quick Tips for Machine Quilting On Your Mid-Arm

 (Mid-arm Quilting Machines)


1) Use the correct type and size needle as suggested by your machine manual.
                   
There are two common needle types for mid-arm machines.        
             
134
(May also be known as a DP x 5, 135 x 5, 135 x 7, DP x 7, 1901).                                                                           Available in sizes 10,11,12,14,16,18,19,20,21,22,23,24.      This needle is also available as a S134 (stretch / SES).           A stretch needle (ball point) will allow you to stitch on knits, silks and satin without damage to the fabric.                       Available in sizes 10,11,12,14,16,18.    
                                                                    
134MR                                                                                        The 134 MR (Multi Range also known as SAN, (Special Application Needle) was created specifically for high speed multidirectional sewing such as longarm quilting machines.     (May also be known as a DP x 5MR, 135 x 5MR, 135 x 7MR, DP x 7MR, 1901MR).                                               
Available in sizes 10,11,14,16,18,19,21,22.                                This needle is also available as 134MR FFG (modified ball point) as well as 134MR R (rounded sharp).                 Available in sizes 10,11,14,16,18,19,21,22                        Both may be used on woven fabric as well as delicate fabric such as knits, silks or satin.       
                                         
The 134MR needle has a different shaped eye, blade and a deeper more extended scarf than the standard 134 needle.       

Your machine manual will include a recommendation as to needle type and size range.                                                   For instance, my Handi Quilter Sweet 16  recommends needle  type 134 with a size range of 12 to 20.                         If in doubt contact your machine dealer.


2)    Choose your needle size according to the weight (thickness) of thread you will be using. (Top)

An easy way to test that your needle is large enough is to thread a loose needle onto your chosen thread.                 Hold the cut end of the thread in one hand and hold onto the thread close to the spool with your other hand leaving around 12 to 14 inches of thread in between.                 With your needle closest to the cut end of the thread, raise your hand so that the thread forms a vertical line.     The needle should drop smoothly to the bottom of the thread.                                                                                  If it “hangs up” or bobs back and forth then the needle eye is too small for the thread.                                           Change to the next size up and test again. 

Note* It is important to test with the thread running in the direction that it will feed through the machine.                   If you were to cut a piece of thread off the spool and test this way you may try to “drop” the needle in the wrong direction. This will put it against the twist in the thread causing a false result.

If you are using fine thread, (such as,100 weight silk, 100 weight polyester, 40 weight rayon, monofilament etc) be sure to use a small needle.

The “drop test” is not accurate with very fine thread as all mid-arm needles have a large enough eye for these threads however too large of an eye will cause the thread to bounce up and down in the eye resulting in poor tension and thread breakage.
For these threads start with the smallest size available for your machine, do a test stitch out and make adjustments as required. Move up to a larger needle if your thread is shredding or breaking.

Choose your needle size according to the weight (thickness) of thread you will be using. (Bottom)

There is a notch in the needle, just above the eye and on the side opposite to the groove that runs the length of the needle. This is called the scarf.
If you are using a heavy thread in the bobbin (even if you have a lighter weight on top) than the scarf has to be deep enough to accommodate  the thick thread in order for the bobbin hook to grab it and make a stitch. This is why you go “up a size” if you are getting skipped stitches.

3)    Change your needle often…                                             A new needle for each project.                 
                     
On average I change my needle every eight to ten hours. More often if I am quilting batik or metallic fabric.  

4)    Be sure that your needle is in correctly.                         (Check your machine manual for correct needle placement.)

Needles with a round shaft can be tricky.
Look closely at your needle. 
The top of a standard home sewing machine needle has a flat back
The top of your mid-arm needle is round.
Just above the point of the needle on the side opposite to the groove that runs the length of the needle there is a notch. This is called the scarf. 

On my HQ Sweet 16 (forward facing Machine) the scarf must face the back of the machine.      

The long groove above the eye of the needle faces you as you insert the needle.                                                                                                                                                     Thinking of a circle around your needle with the hours on the clock on it, the groove in the needle and eye should be at 6:00 O’ Clock.   

Most front facing machines will have this same needle orientation.  
                                                                  
Other machines, (usually the side facing machines such as the Janome Artistic SD or Tin Lizzie), have the scarf to the right and the long groove must be to your left.                         On these side facing machines it is easiest to insert the needle correctly if you sit facing the end of the machine where you change the bobbin.  
Looking at the machine this way the needles groove and eye should be facing you at 6:00.        
                                             
Holding your needle in place with a pin gently placed in the eye of the needle will help you guide the needle into place with the eye in the correct position.                                          
It is important that the scarf and groove be in the correct position for your machine to make a good quality stitch.                                                                                               When the needle enters the fabric the bobbin hook comes around behind the needle to pick up the top thread.                                        
The scarf must be in the correct position or you will get skipped stiches.              
Make sure that the needle is inserted all the way.                           
After changing the needle it is a good idea to turn your fly wheel manually one full rotation to make sure that the needle does not hit the bobbin case.   

5)Thread your machine according to your user’s manual.   
                                                                                                Be sure that you hang onto the thread on either side of the tension disc and “floss” it into place.                                       If you are not fully into this disc you will have little or no top tension.   

 6)    Tension adjustments are made through both the top tension dial and the bobbin case.
ALWAYS Start by adjusting the bobbin case.                                                                                                                                                                                                                                                                                                                                                                                                                           Remember the old adage … Righty Tighty / Lefty Loosy !                                             
Make tiny adjustments here.   
The large screw with the Halo around it is the one you adjust.                                                                            
Think of the halo as a clock and make your adjustments in ¼ hour turns.                                                                               Place the bobbin case with the bobbin loaded in the palm of your hand.                                                                               The bobbin should be against your palm.                                Pull upwards on the thread.                                                    The bobbin should remain inside the case and the case should stand upright.                                                             Pull upwards on the thread and the bobbin and case should just barely lift off your palm.                                                    The bobbin case should slide down on the thread like a spider spinning out a web.                                                      If the bobbin case just hangs there then loosen the screw.    If it won’t lift at all then tighten the screw.      

Note* 
This adjustment may be slightly looser if you are working with very delicate threads.                                                     For these threads start with the adjustment of being able to lift the bobbin and case to the upright position but not out of your hand.       


Time Saving Tip                                                               (For those who use many types and weights of thread)                                                                                                    The most important tension adjustment for your machine is to the bobbin case.                                                               Though you can easily adjust your bobbin case for different weight threads I find it a huge time saver to own more than one bobbin case.                                                                    This is because I quilt with a wide variety of threads from very light to very heavy.                                                          Minor adjustments are still made to account for individual threads and thread combinations, changing weather conditions, needle size etc.     
                              
 I keep one bobbin case for my machine at an adjustment for 50 weight cotton (and other similar weight threads).        
         
 I have a second bobbin case adjusted for very fine threads (such as 100 weight silk, mono-filament or polyester).       
                                                                                                I have a third (and final) bobbin case for doing bobbin quilting.                                                                               This is a technique where thread (such as 8 weight rayon or perle cotton) that can not fit through the needle is wound on your bobbin.                                                                         The quilting is then done with the right side of your quilt facing the table.  


Once your bobbin has been adjusted then adjust your top tension for a balanced stitch.   

For machines with a tension lever, your thread should run freely when the lever is up and be too tight to pull through when the lever is down.   

My HQ Sweet 16 has a hopping foot that has no lever to raise and lower it.                                                                    As a result there is always tension on the top thread.        
                                                                                               For this type of machine, once again think of a circle around the hopping foot with the  hours of the clock on it.                                                                                                                   I start my top tension adjustment will a pull test towards 11:00.                                                                                   The thread should just pull through the tension disc without breaking.                                                                             (Many of the newer machines have tension sensors that will give you a number setting to help with this adjustment)     
                                                                                                Do a test stitch out of the pattern you will be quilting.                                                        
A balanced stitch will look the same on the top and bottom.                                 
You should be able to see each stitch and the stitches should snug down into the batting without puckering.    
If you have eyelashes (loose threads) on the bottom then tighten the top tension.                                                             If you have eyelashes (loose threads) on the top then loosen the top tension.       
                                                                                              To tighten the top tension, turn your dial to the right. (Away from you on a forward facing machine or clockwise on a side facing machine).                                                                                                                                                                      To loosen the tension, turn the dial to the left,(Towards you on a forward facing machine or counter clockwise on a side facing machine).                                                                                                                                                                       I adjust the dial in quarter turn increments until I am satisfied with the stitching.                                          Remember once again, Righty Tighty / Lefty Loosy. 


7) The Issue of Pin Pricking                                                                                                                                  Little dots of the top thread showing on the bottom of your quilt, (or the bottom thread showing on top) are called Pin Pricking.
This is not a tension problem but rather your mid arm machine making a good balanced stitch.
Pin Pricking is made more obvious when we use different colored threads in the needle and bobbin.                         
As machine quilters we can minimize the problem of pin pricking by changing the balance of our machine tension to hide the pin pricking inside the batting, using a thicker batting, using the same thread or thread color top and bottom, replacing one or both of the threads with monofilament thread and using the smallest needle possible for the top thread.
A small needle will create a small hole.                        A small needle hole allows less of the top and bottom thread to pass through to the other side and as a result will lessen the amount of pin pricking.      

                                                                           
8)Top and bottom thread can be different providing their strength is similar.

Pairing natural fibre with natural fibre and man-made with man-made will make it easier to adjust your tension especially when you are learning.                   Once comfortable with your machine you can break this rule.
Many thread manufacturers have information available on their web sites as to help you choose the best thread combinations,(top and bottom) and needle size. 


9) Always do a test sample to check thread tensions before you start and each time you change your bobbin or threading.

I use the same fabric, batting and thread as my project and the design to be stitched when performing a tension test on my machine.


    10)  Parcel the weight of your quilt inward keeping as much of the quilt on the table as possible.

This is the opposite of how we handle a quilt on a standard bed machine and one of the nicest things about a mid-arm.                                                            Keeping the weight of the quilt up on the table takes most of the stress off of our bodies.

11)  Be sure to use the correct foot (as suggested by your machine manufacturer) when doing ruler work.       
                                                                                         Use only rulers or templates that are made for use on mid-arm quilting machines.
   
12) Be sure to oil your machine according to the manufacturer instructions.
Not oiling your machine will cause the machine to stitch poorly, become noisy and can cause damage to the machine.
Just like your car…..a well-oiled machine                     is a "HAPPY" machine!


Some Common Issues and                       What to Look For

 Breaking threads can be caused by;
*Incorrect tension adjustment.
*Machine not threaded properly.
*The wrong needle size or type for your chosen thread.
*Needle too small for the thread.
* Needle not in correctly.
*Moving hands too quickly or jerky hand movement.
*Incorrect pairing of top and bottom threads.
  (One much stronger than the other.)
*Thread looped around spool pin.
*Burr on bobbin case or needle plate

 Skipped stitches can be caused by;
*Wrong size or dull needle.
*Hopping foot adjusted too high.

Poor tension can be caused by;
*Top thread not in tension disc.
*Lint in top tension disc.
*Lint in tension disc of bobbin case.
*Machine not threaded properly.
*Side tension lever not down (side facing machines).
*Machine needs oiling.
*Faulty or dull needle.
*Needle not in correctly.
*Poor quality thread or wrong thread combination.
*A poorly wound bobbin.


HOT TIP
If you have tried everything else…

If having a problem with skipped stitches, try turning your needle ever so slightly from the 6:00 o’ clock position to 6:30.

If having a problem with shredded or breaking thread, try turning the needle to 5:30

Needle Size Conversion for Mid-Arm Machines                                                           Some manufacturers give the needle sizes in metric… this is what they mean.
MR 2.0 = Nm 70 = Size 10
MR 2.5 = Nm 75 = Size 11
MR 3.0 = Nm 90 = Size 14
MR 3.5 = Nm 100 = Size 16
MR 4.0 = Nm 110 = Size 18
MR 5.0 = Nm 130 = Size 21
MR 6.0 = Nm 140 = Size 22

All information, tutorials and images are the property of             Julie Plotniko at Julies Quilt Class and are intended for personal use only.                                                                                                                          
Feel free to share, Pin or re-blog with attribution to Julies Quilt Class.                                               
 For all other uses or information on this and other classes, please contact me at;

Thursday, 2 April 2015

What Every Quilter Should Know About Batting

        “Batting” or “Quilt Batt”
The layer that goes inside a quilt to make it warm.
It is important to know what Batting to choose for your project to achieve the desired look and durability.
Quilt Batting is made from a variety of natural and man made fibers.
Each batting will behave differently when quilted.

Some things to consider when choosing your batting:

1)  How will the batting “Breath”,(exchange moisture and air).                     This effects how comfortable you will feel when sleeping under the quilt.

2)  How warm will the batting be?               We feel warmest under a batting that is protein based such as wool and silk.   

3)  Are you going to quilt by hand or machine?                                                 A heavily bonded batting is not suitable for hand quilting. Very high loft polyester can be quilted (or tied) by hand but is not suitable for machine quilting. 

4)  How heavily do you plan to quilt your project?
Will you do a lot of quilting or will the quilting be spaced a few inches apart?
All quilt battings come with a suggestion as to how far apart the quilting stitches should be for optimum wear.

5)  Drape refers to how pliable the batting will be once quilted.
A heavily needled and bonded batting will become stiff if quilted too closely but can be ideal to make a wall hanging remain flat.

6)  Loft refers to how thick or fluffy the batting is.
Would you like the finished quilt to be “puffy” or have a flat antique appearance?

7)  How will the item be used?                   (Who will be using the quilt or item?)       A quilt that will go on a guest bed or receive gentle handling can have a more delicate batting than a quilt that will be heavily used such as by a teenager or a resident in a care home.                          A baby will need a batting that can be machine washed and dried frequently, is chemical free and that is not too heavy.   Wall hangings need to be stable enough to remain flat.                                   Clothing needs to be soft and drape well.

8)  Does the person that will use the quilt have any allergies or  chemical sensitivities?                                             Some battings are naturally hypoallergenic.  

9)  Could “bearding” be an issue?         This is when some of the fibers of the batting migrate through to the outside of the quilt during quilting and handling. You can minimize the effect of bearding by choosing a light colored batting for a light quilt and a dark batting (black or charcoal) for a dark quilt.
          
Quilt batting falls into two main categories of construction.
Needlepunched and Bonded. (Sometimes used together)
Both methods of manufacturing are use to hold the fibers of the batting together so that they may be quilted farther apart and wear well through repeated handling and washing.

Needle Punched:
(Not to be confused with the batting called “NeedlePunch”)
The fibers are punched (felted) together from the top and bottom using thousands of tiny needles.
Scrim (a very fine mesh of natural or synthetic fiber) is sometimes added for extra stability.                 Polypropylene, (a thermoplastic polymer) is being used in many battings because of its high melting point,(160 degrees Celsius, 320 degrees Fahrenheit).      This helps make a needled batting more flame retardant.                                     (As required by Government regulations.)

Bonded:
A bonded batting uses a layer of resin sometimes referred to as glaze to further adhere the fibers together.
Resin is traditionally plant based though there are also synthetic resins in use today. A bonded batting is naturally flame retardant.

Some Typical Battings and how they behave:

Cotton
One of the most traditional of battings some are heavily needle punched to allow machine quilting eight to ten inches apart. These dense battings do not hand quilt well and will become stiff if overly machine quilted.                                       They are wonderful to work with for new quilters, wall hangings and everyday quilts.
Others cotton batts are lightly bonded and will need to be quilted more closely.
These can be hand or machine quilted and drape well.                                   Cotton batting breaths well and is comfortable to sleep under.
Most cotton battings now contain Polypropylene to make them more flame retardant.
May crease when folded.
Available in natural (unbleached), bleached and black.
Machine Quilt, Machine Embroider.
Check the Batting Specifications regarding hand quilting.

Organic Cotton
Grown without the use of chemical fertilizers or pesticides
Organic cotton has all the benefits of standard cotton batting. Comes as unbleached only. Not heavily needle punched. This batting is ideal for hand and machine quilting.  Usually needs to be quilted every three or four inches. Ideal for baby quilts.
Low loft. Eco-friendly

Bamboo
Bamboo is a beautifully soft fiber.             It is naturally anti-microbial and so is resistant to mold and mildew, antibacterial and hypo allergenic.              It requires no fertilizer or pesticides to grow and quilts easily by hand or machine for a wonderful heirloom look.   Ideal for both baby quilts and large projects.                                            Some “bearding” may occur on dark fabrics.
Low loft. Eco-friendly.

Organic Cotton / Bamboo
A mixture of organic cotton and bamboo, usually 50/50 though some manufactures are adding a scrim of polypropylene for reinforcement. Has all the best properties of both organic cotton and bamboo.        A batting without scrim will need to be quilted every three to four inches.       One with scrim will be able to be quilted up to eight inches apart.
Quilts easily by hand or machine for a wonderful heirloom look.                         Ideal for both baby quilts and large projects.
Low loft. Eco-friendly.

50% Cotton Flax, 50% Linen
This cotton / linen blend with scrim binder is reputed to be three times stronger than cotton. The “flax” fibers help to wick moisture away from the surface making this batting breath well. 
Machine or hand quilt.                          Low loft. May not be readily available.

50% Organic Cotton / 50% Soy
This wonderfully soft batting is chemical free and bleach free. Soy is naturally anti-microbial meaning that it naturally inhibits the growth of fungus, bacteria and some viruses.
Pre-washing by hand recommended to remove oils from cotton seed that could cause discoloration.
Soy Blend can be quilted up to eight inches apart by hand or machine for the look of an antique quilt.
Low loft, Eco-friendly. Protein Based (Soy)

Cotton / Polyester
Commonly a blend of 80% cotton and 20% polyester.
This batting is usually lightly needle punched and lightly bonded. It comes in natural, black, bleached and fusible. It will give more of a soft heirloom look when tightly quilted as the polyester content will make it a little puffier than a 100% cotton batting.                                  Quilt up to four inches apart by hand or machine, good for machine embroidery.  Low-loft.

Cotton / Polyester / Stabilizer
A new batting on the market created especially for machine embroidery quilts. 70% cotton and 30% polyester batting with a layer of polyester and polypropylene “stabilizer” in between the outer layers of the batting to reduce or eliminate the need to add stabilizer underneath your batting when machine embroidering a quilt.
Low loft.
Only available in 24” width for machine embroidery.

 Wool (Washable)
Washable wool battings are an absolute dream to quilt by hand or machine. Warm to sleep under in the winter yet cool in the summer because the loft or puffiness of this batting allows air to flow through it and the natural fibers wick moisture away from the body. Wool is naturally anti-microbial so it resists mold and mildew.
These battings are resin bonded to prevent “bearding” and can be quilted about four inches apart.                         Use caution when washing.                   Do not agitate or put in dryer.                Lay flat to dry.
High loft. Eco-friendly. Naturally fire retardant. Protein based.
Some allergy concern. (Lanolin)

*Note
A carded wool batting needs to be enclosed in cheesecloth and quilted every inch before being used within a quilt.
Hand wash only and lay flat to dry to prevent “bearding”.

Alpaca
Though you will usually need to “Special Order” an alpaca batting it is well worth it. Alpaca has the same properties as wool but does not contain lanolin. Because of this most people with a wool allergy show no reaction to alpaca.
High loft. Protein Based.  Eco-friendly.

 Silk
Very lightweight, thin and with beautiful drape this batting is excellent for quilted garments or quilts. Though very thin it is warm to wear or sleep under.                   Sometimes blended with polyester or cotton, generally needle punched and lightly bonded to extend the quilting distance. Quilt up to three inches apart. Hand or machine quilt, machine embroider. Very low loft. Protein based. Eco-friendly. Provides wonderful warmth without weight.

Rayon
Rayon is a natural fiber made from cellulose. It is naturally fire retardant making it a good choice for children’s quilts. Needle punched to be quilted up to ten inches apart by hand or machine.
Low loft. Not as readily available as other types of batting. 

Polyester
Polyester quilt batting comes in several weights.                                                  Polyester is light and fluffy, non-allergenic, washes and wears well.         The medium loft batting has a look similar to wool with a low cost and can be dried in the dryer.                              The high loft batting is best used for tied quilts or hand quilting only while the medium and low loft machine quilt beautifully. Polyester is often used to add extra loft to areas of trapunto quilting.       May “beard” so use a dark batting on dark quilts.                                                 Available in white and charcoal.
Man made. Does not “breath” like a natural fiber batting.

Needlepunch
Confusing I know but “NeedlePunch” also refers to a type of tightly needled batting. Available in polyester or cotton. 
Too dense to sleep under this batting is used for craft projects such as wall hangings, table runners and pillows.
Machine quilt only. Very low loft.

Thermore
The thinnest polyester. Used for clothing or miniatures.

Fusible Fleece
Yet another variation of polyester this needled and fusible batting can be used for craft projects such as table runners or purses as well as machine embroidered projects.
Machine quilt. Low-loft

Spacetex
Polyester with a foil covering. The foil covering makes this batting reflect and retain heat. Intended for use in potholders, casserole covers etc.           Though not intended to be used in quilts,(they will crackle), because of its heat retention properties this makes an excellent “emergency” blanket to keep in the car.I do sometimes use it inside of a lightly quilted throw for use by care home patients that just can not keep warm. Machine quilt. Low-loft.

*Note
I always do a small test stitch out using the fabric, batting, thread and quilting design from my project to be sure that the batting shows off the stitching well and has the appropriate drape and loft.

General Eco Concerns;

Polyester is a petroleum based man made fiber and therefore not a renewable resource. 
Though not significantly flammable the polyester fibers will melt. Exposure to the liquid polyester can cause severe burns.

Cotton yield is sometimes increased with the use of chemical fertilizers and pesticides. If this is of concern you can purchase organic batting or contact your favorite batting manufacturer to find out how their cotton is produced.

Some fusible batting will create fumes when heated.

Wear a protective mask or do not use if you have breathing issues, have chemical sensitivities or are expecting.   

For fun get together with a group of quilters and purchase a small amount of several types of batting.
Create a swatch book with the batting information and how you feel about it as a personal reference guide.

For further information on this or other
lectures and classes please contact: 
Julie Plotniko
juliesquiltclass@telus.net 

© Julie Plotniko
All rights reserved.  
For personal use only.

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